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The driving Lorber-Haslip number “Rhumba Pagan,” fueled by drummer Vinnie Colaiuta, features a choir of wordless vocals from Stern, Haslip and Chelsea Maull while Lorber’s intricate 6/8 closer “Runner,” has the keyboardist soloing tastefully on piano and the guitarist cranking his axe to Eleven.Funk and soul rar Make Default. Lorber’s ultra-funky “Motor City” and “Big Town” add a swagger to the proceedings. Stern’s runaway romp “Ha Ha Hotel,” fueled by drummer Dave Weckl’s muscular backbeat and punctuated by Mann’s crisp horn pads, has the guitarist unleashing his fabled ‘chops of doom’ before Lorber erupts on a killing organ solo. From the melodic and catchy opener, “Righteous,” powered by Gary Novak’s crisp backbeat, Lorber’s signature Fender Rhodes playing and Dave Mann’s tight, East Coast/Brecker Brothers-ish horn arrangement, to Stern’s lyrical, African flavored “Nu Som” and his tender ballad “Tell Me,” to nasty, blues-drenched jams like “Jones Street” and “Slow Change,” this summit meeting percolates with insistent grooves and pulsates with energy and ideas. Instead, both Lorber and Stern throw down with a vengeance on Eleven. There’s too much harmonic meat and aggressive soloing from track to track to fit comfortably in that marketing category. The result is an extremely copacetic session that is a far cry from smooth jazz.
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(The title is a joking reference to This Is Spinal Tap’s Nigel Tufnel, who proudly demonstrates in the 1984 movie how his amplifier has a volume knob that goes to eleven… “for when you need that extra push over the cliff.”) And rather than being a musical Odd Couple, it turns out that Lorber and Stern fit hand-in-glove on the ten scintillating tracks that comprise Eleven, set for release on Septemvia Concord Jazz. In subsequent years, each staked out his respective musical territory - Lorber, the electric maestro from LA, pioneering the post-fusion sound of contemporary jazz with his radio-friendly, groove-oriented instrumental music Stern, the esteemed six-stringer from New York, lending his considerable chops to bands led by Jaco Pastorius, Michael Brecker and Joe Henderson as well as groups like Steps Ahead, Vital Information and the Brecker Brothers while also leading his own band and cutting 18 recordings under his own name.Ĭredit bassist-producer Jimmy Haslip, a charter member of Yellowjackets, with bringing these two seemingly disparate musical forces from opposite sides of the country together. “Jeff Lorber Fusion and Miles Davis were playing some of the same festivals back then, so I got to hear him play.” For his part, Stern offered, “To be honest, I was aware of him, and had heard a bunch of good things, but I never really checked him out. “I’ve been a fan of his for a long time,” said the keyboardist, who was touring hard in support of his hit records Wizard Island and It’s a Fact in those analog days. Grammy Award-winning keyboardist/composer/producer Jeff Lorber recalls seeing guitarist Mike Stern during his much-ballyhooed tenure with Miles Davis in the early ‘80s.